Ye Witches’ No.62 Fortune Cards
Ye Witches Fortune Telling Cards published by the United States Playing Card Co., 1896. 52 cards + Joker + extra card in box.

Ye Witches’ No.62 Fortune Cards
This late nineteenth century fortune-telling deck has illustrated pip cards suggesting their divinatory meanings. In some instances the pips are actually part of the design, which makes “Ye Witches” a partial Transformation Fortune-Telling deck. Some of the period dresses in the illustrations are interesting. An accompanying booklet contains the rules for interpreting the cards and how to use the deck in more detail. The court cards are standard except that their hair is filled in black. The Joker has an image of a horseshoe, rabbit's foot, three four leaf clovers and a broken wishbone. Click here to see the 2019 facsimile►



Above: Ye Witches Fortune Telling Cards published by the United States Playing Card Co., 1896. 52 cards + Joker + extra card in box. Available with plain or gold edges and a variety of different back colours. The back shows a coven of witches with a steaming cauldron, surrounded by interlacing dragons and bats. The divinatory interpretations are not printed on the cards, so it was necessary to memorise them, or to improvise. The illustrations are suggestive enough so as to give a hint as to the meaning. Images from the collection of Rod Starling.
Rules courtesy of Adam West-Watson
Additional Images





NOTE: "Ye" is pronounced "the". The 'y' in 'ye' is not the modern letter 'y' found in 'you', but a mis-translation of the old runic symbol equivalent to the modern letter pair 'th' found in words such as 'the'.
REFERENCES
Dawson, Tom & Judy: The Hochman Encyclopedia of American Playing Cards, U.S. Games Systems Inc., 2000

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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