Prisoners of War
Hand-made playing cards by French prisoners of war in Porchester Castle, Hampshire, c.1796.
Hand-made playing cards by French prisoners of war in Porchester Castle, Hampshire, c.1796.


Above: the court cards stand on grassy ground in animated poses against white background, and the backs are plain. All images and notes courtesy Nick Thomas.
This deck of cards was hand made by French prisoners of war in Porchester Castle, Hampshire, UK. Prisoners were held in the castle over three periods: 1644 to 1652, 1756 to 1760 and 1793 to 1817. I believe these cards are from the early part of the latter period, circa 1796, as the forged ace of spades is the Hall ace for the years 1789 to 1801.

Above: the Queen of Diamonds and 4 numeral cards, all hand-painted and without any indices.
52 cards complete, with original hand-made box in lovely condition, hand-drawn and painted, really well done for a hand-made pack. I can’t discover if the court figures are based on any particular people but it was suggested that the Queens might be Goddesses: Diana as Q of clubs and Flora as Q of diamonds?
The forged ace is just fantastic, if only for its faults. It matches genuine aces for the years 1789 to 1801 The deck is given added provenance by the little business card with a hand-written inscription that came with the box when I found it. Dated 1947 it refers back to the writer’s named great-great grandfather who was actually a keeper at the gaol at the time. I do know of one other deck similar to this, the style suggesting it was perhaps painted by the same hand, but there is no box and I have heard some cards are missing, regardless I believe this deck to be unique.

Above: The forged ace of spades includes the mis-spelling “Pense” instead of “Pence”. Cards and notes courtesy Nick Arden Thomas.

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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