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Pam is the Knave of Clubs

Published November 25, 2024 Updated November 25, 2024

Playing cards as metaphors in the artwork of Robert Dighton (c.1752–1814).

1798 United Kingdom Robert Dighton Art & Design Political Satire Symbols Loo

A still-life composition by Robert Dighton including a bulging money-bag resting on the “Court Kalendar”, with mother-of-pearl counters. Against the bag lean five playing-cards showing William Pitt (then prime minister of Great Britain) as Knave of Clubs with a sequence of diamonds. The bag bulges with guineas and bank-notes. The amount (Te)n Thous(and)' can be seen. Behind is another bag inscribed '£100-000'.

Interpretation: the phrase "Pam and Flush, we are all Loo'd" is related to the card game Lanterloo (or Loo), which was popular in the 17th and 18th centuries. In this game, "Pam" refers to the Knave of Clubs, which is a permanent top trump. A "flush" is a hand of cards of the same suit, and the best flush includes the Pam card. The term "Loo'd" means that players have to pay into the pot, except those holding the Pam or a higher flush. So, the title humorously suggests that in the game, everyone except those with the best hands (Pam and Flush) ends up losing and having to pay. Thus the etching is a political satire on Pitt's heavy taxation.

“Pam and flush. We are all loo'd” hand-coloured etching by Robert Dighton, 1798. © The Trustees of the British Museum

Above: “Pam and flush. We are all loo'd” hand-coloured satirical etching by Robert Dighton, 1798. © The Trustees of the British Museum • number 1868,0808.6691

Reference

Wikipedia: Lanterloo


Robert Dighton (c.1752–1814) was an English portrait painter, printmaker, and caricaturist. Dighton's satirical caricatures included lawyers, military officers, actors and actresses, and even down-at-heel types. From time to time playing cards were included in his compositions. As an artist, he was first offered consistent employment by the publisher Carington Bowles • Wikipedia

 December from The Twelve Months series, print made by Richard Earlom after Robert Dighton, published by Carington Bowles, c.1781. © The Trustees of the British Museum

Above: December from The Twelve Months series, print made by Richard Earlom after Robert Dighton, published by Carington Bowles, c.1781. © The Trustees of the British Museum • number 2010,7081.403


Fear God

A gambler is seated by a circular table on which are cards, dice, and an empty moneybag; he puts his hand to his forehead with a distraught expression. On the wall behind his head hang two pistols and through a window is seen a body hanging from a gibbet.

© The Trustees of the British Museum

© The Trustees of the British Museum • number 1935,0522.3.62

A woman weeps dejectedly with cards and an empty purse on the ground at her feet. In both these details from illustrations titled “Keep within Compass and you shall be sure to avoid troubles which others endure”, playing cards are used as a metaphor for misfortune.

© The Trustees of the British Museum

© The Trustees of the British Museum • number 1935,0522.3.63

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By Simon Wintle

Member since February 01, 1996

Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.


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