Transformation Playing Cards, 1811
Transformation playing cards, first published in 1811. Each card bears a picture in which the suit marks are concealed within the design. This artistic exercise began as a late 18th century pastime.
‘Metastasis’ Transformation playing cards, first published in 1811, in which each card bears an intricate and artistic or burlesque design into which the suit marks have been incorporated. This set was printed by I L S Cowell but many were hand-drawn. The artistic exercise began as a late 18th century parlour game and became a popular pastime during the Victorian era when ordinary playing cards would be transformed by illustrating them in pen and paint.


Above: 16 cards from Cowell's Transformation Cards, 1811. The complete set of five sheets is accompanied by a wrapper bearing the royal arms, with the title "Metastasis. Transformation of Playing Cards", and "Designed and Etched by I.L.S. Cowell". © The Trustees of the British Museum • Cowell's Transformation Cards►

Above: same as the above, coloured version, published September 1, 1811, by S. and J. Fuller, at the Temple of Fancy, Rathbone Place, London.. © The Trustees of the British Museum • Metastasis, Transformation of Cards►
Reference
O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, Trustees of the British Museum, London, 1901 (Sheets English 2 & English 72) [digital version here]
Facsimile edition

Above: cards from the facsimile edition published by Harry Margary.
A new facsimile is published by the EPCS.
A rough but lively study of a group of men in hats playing cards by Joseph Mallord William Turner (1775–1851), 1819.


By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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