Mardon, Son & Hall of Bristol, branch of the Imperial Tobacco Company

Published March 21, 2009 Updated December 19, 2024

A division of Imperial Tobacco, they appear to have made cards almost exclusively for the cigarette token market, which flourished during the 1930s.

United Kingdom Mardon freebie-cards Tobacco Wills

MARDON’S started out in 1823 when John Price established a small printing and engraving business in Bristol. In 1846, Price’s business partner John Harris invited his brother-in-law James Mardon to join the firm. James Mardon purchased two lithographic presses in 1849 and together with his son Heber Mardon the family firm grew into a large printing and packaging business. In the 1860s, the family firm – now with a brother-in-law on board – became known as Mardon, Son and Hall. In 1897 Mardon's built a new factory in Temple Gate which they called the Caxton Works.


Mardon Son & Hall of Bristol, branch of the Imperial Tobacco Company Wills Tower Bristol

Mardon, Son & Hall of Bristol (the printers and packers) were acquired by the Imperial Tobacco Company and became responsible for the production of most of their cigarette cards. During the early 1930s they also became involved in the manufacture of playing cards - both patience and standard sizes - for the ‘Wills Scheme’. The big tobacco companies were wooing the public with free gifts. Wills, of Imperial Tobacco, tucked two miniature cards into every packet of ten Goldflake or Capstan cigarettes, and each complete set posted to Wills's Bristol establishment entitled the sender to a pack of normal sized cards. These packs often had attractive pictorial back designs. John Waddington manufactured a large proportion of the full-sized packs, and De la Rue also produced a certain number, and the scheme enabled the firms to thrive at a time of severe economic downturn. The market became saturated with playing cards during the early to mid-1930s as a result of this scheme.  Illustration right: the Wills Memorial Building in Bristol, designed in the Perpendicular Gothic style, was completed in 1925 in honour of Henry Overton Wills and funded through the fortunes which the Wills family made through tobacco.   See Wikipedia article →


reverse - click to enlarge W.D. & H.O. Wills miniature playing cards, 1931

Left: miniature playing cards manufactured by Mardon Son & Hall for W.D. & H.O. Wills, 1932-4. When complete, these miniature packs could be exchanged for full-sized packs.

reverse - click to enlarge Jersey Tobacco Co. miniature playing cards, 1933

Left: miniature playing cards manufactured by Mardon Son & Hall for the Jersey Tobacco Co. Ltd, 1933. The court cards are standard but the Ace of Spades is anonymous. Completed packs of miniature cards could be redeemed for full-sized packs as shown below - (click image to zoom).


boxed patience set manufactured by Mardon, Son & Hall for W.D. & H.O. Wills' gift scheme, 1933

Above: a boxed patience set manufactured by Mardon, Son & Hall for W.D. & H.O. Wills' gift scheme, 1933. Books and attractive boxed set of playing cards could be redeemed by collecting complete packs of the miniature insert cards from tobacco products. The cards shown at the top of this page are illustrations from the book "Popular Card Games" by Lawrence H. Dawson, published by W.D. & H.O. Wills, printed by Mardon, Son and Hall, Bristol, 1933.

The Full Size Packs

Above: standard packs which were produced for the Wills Tobacco scheme during the early 1930s.


The photo shown left caption reads: "A division of Imperial Tobacco, they appear to have made cards almost exclusively for the cigarette token market, which flourished during the 1930s. Some advertising packs can also be found, e.g. Players Navy Cut cigarettes. A reciprocal arrangement may have existed with Waddingtons regarding playing card production during the early 1930s."

The Navy Cut cigarettes pack is shown below, with a rare special ace of spades.

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By Simon Wintle

Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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