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Le Grand Tarot Belline

Published August 05, 2017 Updated April 24, 2022

“Le Grand Tarot Belline” after drawings by Edmond Billaudot (1829-1881).

1966 France Grimaud Edmond Billaudot Cartomancy Oracle Tarot

Le Grand Tarot Belline was produced after drawings by Edmond Billaudot (1829-1881) who was also known as Magus Edmond. It superficially resembles the Tarot de Marseille, but differs from it in time, design and symbolism, especially the numeral cards. The deck bequeaths ideas from a succession of well-known 18th & 19th century occultists and incorporates kabalistic, astrological and Egyptian influences, as well as the philosophical musings of Edmond Billaudot himself. A condensed cartomantic interpretation is hand-written on each card along with esoteric symbols and glyphs which facilitate the process of abstraction.

Le Grand Tarot Belline after drawings by Edmond Billaudot published by Grimaud 1966 Le Grand Tarot Belline after drawings by Edmond Billaudot published by Grimaud 1966 Le Grand Tarot Belline after drawings by Edmond Billaudot published by Grimaud 1966 Le Grand Tarot Belline after drawings by Edmond Billaudot published by Grimaud 1966 Le Grand Tarot Belline after drawings by Edmond Billaudot published by Grimaud 1966

Above: Le Grand Tarot Belline after drawings by Edmond Billaudot published by Grimaud, 1966.

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By Rex Pitts (1940-2021)

Member since January 30, 2009

Rex's main interest was in card games, because, he said, they were cheap and easy to get hold of in his early days of collecting. He is well known for his extensive knowledge of Pepys games and his book is on the bookshelves of many.

His other interest was non-standard playing cards. He also had collections of sheet music, music CDs, models of London buses, London Transport timetables and maps and other objects that intrigued him.

Rex had a chequered career at school. He was expelled twice, on one occasion for smoking! Despite this he trained as a radio engineer and worked for the BBC in the World Service.

Later he moved into sales and worked for a firm that made all kinds of packaging, a job he enjoyed until his retirement. He became an expert on boxes and would always investigate those that held his cards. He could always recognize a box made for Pepys, which were the same as those of Alf Cooke’s Universal Playing Card Company, who printed the card games. This interest changed into an ability to make and mend boxes, which he did with great dexterity. He loved this kind of handicraft work.

His dexterity of hand and eye soon led to his making card games of his own design. He spent hours and hours carefully cutting them out and colouring them by hand.


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