Jeu de Cartomancie pour l’amusement des Dames
Early French Cartomancy deck "for the amusement of Ladies" but also referred to as "Jeu divinatoire révolutionnaire", 1788.
This early French cartomancy deck was published in 1788, and contains 66 cards with a variety of everyday figures, domestic scenes, as well as mythological figures. The titles of the cards are inscribed in brown ink. Although the set is described as "Cartomancy game for the amusement of Ladies", it is more or less contemporary with Antoine Court de Gébelin’s claims for the Egyptian origins of Tarot (1781) and also Jean-Baptiste Alliette’s book about tarot divination (1770) and his series of tarot decks for that purpose, which aroused more interest in these topics. The repertoire of imagery can be traced back to a blend of allegories and symbols from various cultures and historical periods, which were familiar to people of the time and served for self-reflection and prophecy. Cartomancy was evolving into a new form of parlour entertainment, which progressed into Mlle. Lenormand decks of the 19th century, with which people began to enquire about their destinies.
Almost 250 years later, today's vast selection of cartomancy, oracle and tarot decks offer countless new creative ways to explore your identity and see what your luck might be in the future.




Above: cards from early French Cartomancy deck titled “Jeu de Cartomancie pour l'amusement des Dames" (also referred to as Jeu divinatoire révolutionnaire") published by M.Desforges, rue de Bourbon – Villeneuve, 1788. Total 66 cards: intaglio engraving, hand-coloured; 8.8 x 5.9 cm. White backs. The titles of the cards are mostly inscribed in brown ink but in more than one style of handwriting. The publication of the game was announced in the Gazette de France, September 30, 1788. Source gallica.bnf.fr / BnF
References
• Bibliothèque nationale de France Jeu de Cartomancie pour l'amusement des Dames►
• Jean-Baptiste Alliette, “Etteilla, ou Manière de se recréer avec un jeu de cartes”, Amsterdam, 1770
• Antoine Court de Gébelin, “Le Monde primitif analysé et comparé avec le monde moderne”, Paris, 1777-1781.

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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