Swiss Scenic Tarock
Scenic Tarock deck produced by Fabrique de Cartes J. Müller & Cie (Schaffhouse), Suisse.
French suited Tarot with 78 double-ended cards; the trumps are named, double-ended scenic views of places in Switzerland with large Arabic numerals at top and bottom of each card. The wrapper states “Jean Muller, Taroc, Fabrique de Cartes, Schaffhouse, Suisse.”
In the late 19th century the Swiss tourist industry experienced significant growth and development. Several factors contributed to this evolution, turning Switzerland into a popular destination: scenic beauty and natural attractions, political stability, health tourism, spa culture and the development of winter tourism, grand hotels and the growing hospitality industry. The foundations laid during this period continue to contribute to Switzerland's status as a popular tourist spot today. Müller, together with Wüst and Dondorf, were in the forefront of packs which either displayed the costumes of Swiss Cantons or picturesque scenes.

The Court Cards
The French-suited court cards are fancifully treated and also double-ended. The numeral cards are all standard with no illustrations.


Above: cards from a Swiss Scenic Tarock deck produced by Fabrique de Cartes J. Müller & Cie (Schaffhouse), c.1890. 78 cards; hand-coloured lithograph; backs printed with a plaid pattern in black and brown. © The Trustees of the British Museum • Museum number 1896,0501.806►
References
O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, (Swiss 10), Trustees of the British Museum, London, 1901 [digital version here]

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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