La Suisse Historique Swiss Cantons souvenir
A masterpiece in the genre of tourist souvenir decks, “La Suisse Historique” Swiss Cantons souvenir designed by Melchior Annen in c.1920.
A masterpiece in the genre of tourist souvenir decks, “La Suisse Historique” Swiss Cantons souvenir was designed by Melchior Annen (1868-1954) and manufactured by J. Müller & Cie in c.1920. A different scene is shown at each end of the four aces, and different costumes on each end of the 12 court cards. Müller had pioneered the production of tourist souvenir decks in the mid-19th century. New machinery now allowed twelve-colour chromo-lithography printing which in turn permitted a wider assortment of playing cards to be produced. This led to more business worldwide and a more prestigious reputation for the firm which became one of the most reputable in Europe.


Above: “La Suisse Historique” Swiss Cantons souvenir designed by Melchior Annen and manufactured by J. Müller & Cie in c.1920. (Click the images to reverse). Packs were sold with 36 cards (Piquet No.34) or 52 cards (Whist No.33) in standard or patience sizes and with several variations of back design.
In 1999 the Müller playing card factory was sold to Carta Mundi.
Note from Roddy Somerville
There was a much later edition of this pack, from the 1960s or 1970s. The indices are now in English and placed above, rather than below, the suit-signs. The suit-signs themselves have all been redrawn, rendering them less refined. The maker's name has disappeared from the Jack of Spades but the familiar Müller Joker is still present. Some of the detail in the faces and costumes has been lost in the more modern version. In total, the pack comprises 52 cards, 3 identical Jokers and 1 double-sided bridge score card - RS.


By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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