Vitrail‒Bridge, 1991

Published March 06, 2010 Updated March 02, 2023

Playing cards inspired by stained glass, designed by Gertrud Kümpel-Amsler, 1991.

1991 Switzerland AGMüller Gertrud Kümpel-Amsler Art & Design Stained-Glass

Vitrail‒Bridge playing cards inspired by stained glass, designed by Gertrud Kümpel-Amsler, Zurich, 1991. Although not actually located inside a church window these playing card designs successfully imitate subtle tones of light filtering through coloured glass. To make your own faux-stained glass playing cards you could print images onto high gloss laminate and fix them on the windows!

Vitrail‒Bridge playing cards inspired by stained glass, designed by Gertrud Kümpel-Amsler, 1991

Above & below: Vitrail‒Bridge playing cards inspired by stained glass, designed by Gertrud Kümpel-Amsler, 1991.

Vitrail‒Bridge playing cards inspired by stained glass, designed by Gertrud Kümpel-Amsler, 1991

Above: Vitrail‒Bridge playing cards inspired by stained glass, designed by Gertrud Kümpel-Amsler, 1991.


Footnote by Roddy Somerville

I met Gertrud and her husband several times at meetings of Cartophilia Helvetica. They were a delightful, unassuming couple. She was originally asked to create, in stained glass, a Jack, a Queen and a King for the main entrance to AGMüller's offices in Neuhausen am Rheinfall. The project was deemed such a success that she was then asked to design a full pack of 52 cards plus 3 different Jokers. The pack was first issued in the summer of 1991 in a signed and numbered edition of 150 copies. An unnumbered edition followed soon afterwards.

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By Simon Wintle

Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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