Navarra Pattern
Navarra Pattern produced for the Pamplona General Hospital Monopoly.
Playing cards had been produced for the Pamplona General Hospital Monopoly in the former kingdom of Navarra since 1631. As the monopoly contract was repeatedly renewed over time, and in order that cards could be differentiated from those of neighbouring kingdoms or tax jurisdictions, the designs became established as a regional pattern.
It is likely that wooblocks, and even completed packs of cards, were originally produced in France, before being produced in Spain, which explains why the designs contain features common to earlier, archaic French-made cards. Problems with the quality, as well as illegal imports, were often cause for disputes with cardmakers at the time of renewal of their contracts.
Above: ace of coins featuring the coat of arms of Navarra with a double-headed eagle and the inscription CON L(A) L(ICENCI)A DEL REINO, anonymous manufacturer, 1682. see more →
PEDRO VARANGOT, 1786
It is recorded that Pedro Varangot was married to Jeanne Darretche in Bayonne in 1743. Earlier packs attributed to him were made in Bayonne. see more →
Above: Navarra Pattern produced for the Pamplona General Hospital Monopoly by Pedro Varangot in 1786. Woodblock and stencil coloured. From the collection of Martín Pedro Marcos González. see more →
Unknown Cardmaker with initials I. I., 1793
Above: Navarra pattern by an unknown cardmaker, produced at the Pamplona Hospital Monopoly factory, dated 1793. From the collection of Gonzaga Gil-Delgado Friginal. See more →
CREDITS & REFERENCES
Ferro Torrelles, Víctor: Unos Naipes para el Reino de Navarra, in “La Sota” Nº44, Asescoin, Madrid.
Additional research by Alberto Pérez González.
By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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