Amorcillos

Published June 18, 2023 Updated June 18, 2023

‘Amorcillos’ (Cupids), a masterpiece from the golden age of Spanish playing cards by Clemente Roxas, Madrid, 1790.

1790 Spain Clemente de Roxas Children Fantasy Luxury

During the eighteenth century, and early nineteenth, there was a "golden age" of playing cards in Spain, characterized by significant development in the artistic production of non-standard and finely engraved packs. This period saw the creation of high-quality decks featuring exquisite and detailed designs. Many publishers in Madrid were now producing magnificent de luxe playing cards that were miniature works of art.

A notable masterpiece from this era is "Amorcillos" (Cupids), a 48-card pack published by Clemente Roxas, crafted in 1790. These cards showcase imaginative designs, with cupids introduced on each card in a popular neo-classical style of the time. The "golden age" of Spanish playing cards represents their finest hour, a significant milestone in their history and continues to inspire the production of Spanish decks today.

Amorcillos (Cupids) by Clemente Roxas, Madrid, 1790. © The Trustees of the British Museum Amorcillos (Cupids) by Clemente Roxas, Madrid, 1790. © The Trustees of the British Museum Amorcillos (Cupids) by Clemente Roxas, Madrid, 1790. © The Trustees of the British Museum Amorcillos (Cupids) by Clemente Roxas, Madrid, 1790. © The Trustees of the British Museum

Above: ‘Amorcillos’ (Cupids) by Clemente Roxas, Madrid, 1790. 48 cards, copper plate etching, hand coloured. Backs marbled and edges gilt. © The Trustees of the British Museum • Museum number 1896,0501.146

References

Denning, Trevor: The Playing-Cards of Spain, Cygnus Arts, London, 1996

O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, Trustees of the British Museum, London, 1901 (Spanish 53). [digital version here]

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By Simon Wintle

Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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