El Reloj card game by Imprenta Lecaros

Published July 03, 1996 Updated June 12, 2023

“El Reloj” card game by Imprenta Lecaros, Lima, Peru, c.1920.

1920 Peru Imprenta Lecaros Estanco Card Games

‘El Reloj’ (the clock) card game by Imprenta Lecaros, Lima, Peru

El Reloj card game printed by Imprenta Lecaros, Avenida Abancay 764, Lima, Peru, c.1920. The game is described as “a modern salon game”. The text on the back of the box states that the game was invented to commemorate man’s invention of the clock, and is dedicated by the game’s creator to all homes as an agreeable pastime. The instructions how to pay the game are missing, but the illustration gives an idea.

The front of the box and the back of the cards have a small registered trade mark featuring what looks like a monogram 'BL' - it is not known what this represents.

Back of the box from El Reloj card game manufactured by Imprenta Lecaros, Lima, Peru, c.1920
Box and card from El Reloj card game manufactured by Imprenta Lecaros, Lima, Peru, c.1920 Cards from El Reloj card game manufactured by Imprenta Lecaros, Lima, Peru, c.1920

Above: “El Reloj” card game printed by Imprenta Lecaros, Avenida Abancay 764, Lima, Peru, c.1920. 48 cards in box divided into four colours each running 1 - 12.

Estanco de Fósforos y Naipes tax stamp from the Caja de Depósitos y Consignas, c.1920

The One of Red suits and the box have the ‘Estanco de Fósforos y Naipes’ stamp from the Caja de Depósitos y Consignas (shown left), which would have preceded the Estanco de Naipes, which was established in 1924. Thus at this time card games as well as ordinary playing cards were subjected to some form of tax. No other examples of this tax stamp have been seen to date.

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By Simon Wintle

Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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