Moroccan pattern by Camoin & Cie.
Spanish Moroccan pattern by J.B. Camoin and A. Camoin & Cie, Casablanca & Marseille.
Jean Bte CAMOIN, Marseille
Jean-Baptiste Camoin of Marseille produced a simple, somewhat rudimentary hand-drawn version of the Spanish National pattern for export to Morocco. None of the characters have beards or moustaches. The manufacturer’s name appears on the four aces but there are no inscriptions on any of the court cards apart from “Ahi-va” on the cavalier of cups. This pattern was produced primarily for North African markets, and it combines the familiar Spanish card designs with aspects tailored to local tastes. The tethered goat on the jack of coins is a characteristic feature.
Above: early edition of Spanish National pattern for Morocco by Jean-Baptiste Camoin c.1863, 40 cards, square corners, small corner indices, stencil-coloured lithograph, intricate back design with stars; 8.5 x 5.7 cm. Source gallica.bnf.fr / Bibliothèque nationale de France • Jeu de cartes à enseignes espagnoles►
Next came a redrawn version. The maker’s name “Jn Bte Camoin Marseille” now appears on each court card as well as the four aces. All the artwork has been tidied up, but the back pattern remains the same • See the wrapper
Above: re-drawn Spanish Moroccan pattern printed by Jean-Baptiste Camoin, Marseille, c.1870. 40 playing cards, colour lithograph; 8.4 x 5.7 cm. Source gallica.bnf.fr / Bibliothèque nationale de France • Jeu de cartes à enseignes espagnoles►
A. CAMOIN & Cie
Cards like those shown above were later produced by A. Camoin & Cie in Casablanca and Marseille until 1971. More recently, the same designs have been, and are currently being produced by local Moroccan manufacturers more →
Above: Cartes Espagnoles No.484 by A. Camoin & Cie, Marseille, c.1890.
This version of the Spanish National pattern was produced mainly for North Africa but it is also known in Ecuador. The Kings' feet are hidden beneath their robes and there are no beards or moustaches. All the horses are rearing.
Vito Arienti re-print
Above: Spanish Moroccan patttern, 19th century, facsimile edition reprinted from original woodblocks by Vito Arienti, Edizioni del Solleone, 1978.
By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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