Naipe Victoria
Naipe Victoria by Clemente Jacques c.1900.
Naipe Victoria by Clemente Jacques, c.1900
Naipes de Primera ~ Clase Segunda Nº2 ~ Marca Registrada
This early edition of Spanish-suited playing cards produced by Clemente Jacques (Mexico) only varies slightly from the 'Castilian' designs published by Heraclio Fournier in the 1880s by which it was inspired. The King of Clubs wears a short tunic and the Sota of Coins holds the suit symbol in his (or her) right hand. These designs would continue to evolve until emerging as Jacques' distinctive designs for ‘Gallo Intransparente’ which became their standard pattern, and which were copied widely by Mexican manufacturers.
Above: ‘Naipe Victoria’ by Clemente Jacques, c.1900. 40 cards, rounded corners. Some editions are known with square corners. The manufacturer's name does not appear on any card. The Four of Cups has some printed details including the year of registration, 1896. The designs in this edition are already differentiating themselves from the 'Castilian' designs published by Heraclio Fournier in the 1880s, and although very similar appear to have been registered by Clemente Jacques in 1896.
García Martín, Enrique: Clemente Jacques, in LA SOTA no.15, Asescoin, Madrid, September 1996
García Martín, Enrique: Una hipótesis sobre el origen de la baraja “Gallo” de Clemente Jacques, in LA SOTA no.34, Asescoin, Madrid, March 2006
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By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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