The World of Playing Cards Logo

The Joker Card

Published March 09, 2002 Updated June 29, 2024

The 'Joker' is believed to have been invented by American Euchre players who, when modifying the rules sometime during the 1860s, decided that an extra trump card was required.

1863 United Kingdom USA Clown Collecting Joker

... the ‘wild-card’, the card of opportunity

Joker notice in Euchre deck The extra “Joker” card is believed to have been invented by American Euchre players who, when modifying the rules sometime during the 1860s, decided that an extra trump card was required. Originally he was called “The Best Bower” and then later “The Little Joker” or “The Jolly Joker”. It was around this time that other innovations and improvements started to appear, such as rounded corners replacing square and various types of corner indices.

These Jokers, or extra cards, were first introduced into American packs around 1863, but took a little longer to reach English packs, in around 1880. One British manufacturer (Chas Goodall) was manufacturing packs with Jokers for the American market in the 1870s.

early American Jokers

Above: early 'Bower' cards and Jokers by American manufacturers produced during the 1870s-1880s. Many of the images resemble clowns or jesters, not always ‘Jolly’; sometimes they appear slightly sinister!

early Jokers by the firm Charles Goodall & Son, London, (1821-1921)

Above: early Jokers by the firm Charles Goodall & Son, London, (1821-1921) produced during the 1870s-1890s. Victor Mauger soon issued their own Joker →

De la Rue’s Silhouette Aces of Spades and Coloured Jokers

According to Websters 1880 edition, Bower derives from the German Bauer (a peasant), so called because in Euchre the knave or jack of the trump suit is the highest card, known as the Right Bower, and the knave was depicted in German cards as a peasant. The second-highest trump card was the Left Bower, and this was the knave or jack of the same colour as the trump suit.

Then requiring an additional trump card we get the Imperial Bower etc.

Jokers keep the pack full of tricks. The Joker card is capable of almost anything or almost nothing, depending on the rules of the game. It has been suggested (Dianne Longley, 1999) that “the Joker is the ‘wild-card’, or the card of opportunity, not unlike the ethos of opportunity and individuality that has been the driving force behind America's pursuit of greatness.” Perhaps the Joker is so named because he is "a trickster", and the Imperial Bower trumped all other cards, thus taking the trick.

Some historians have seen the Joker as a descendant of the Fool of Italian tarot cards, and in some 19th century tarot sets the Fool was depicted as a harlequin or buffoon. However, Matt Probert disputes this, pointing out that in early European Tarot cards the "Fool" is depicted by a foolish man, and the popular depictions of the "Joker" are of characters connected with tricks, such as a jester, clown or card magician (none of which are "fools"), which makes more sense given the Joker's ability to take tricks in card games.

Some early Jokers were specially designed, along with special Aces of Spades, as part of the company’s brand identity. Hence they can also be an aid in identification. Many collectors are primarily interested in certain cards such as Aces of Spades, Jokers, court cards, unique backs, etc., and hence the Joker card has also become a collector's item in it’s own right...

• See the story behind some special Jokers

There is also more contemporary history wherein the joker has become iconic in other ways, as in beer labels, clowns, films, tattoos and other areas of popular culture.

3 cards from Peter Wood’s “Jest Jokers” deck comprising 54 different Joker designs, made into a full pack of cards

Above: 3 cards from Peter Wood’s “Jest Jokers” deck comprising 54 different Joker designs, made into a full pack of cards  see more

The Joker
by Alan Watts

The English author, public speaker, and "philosophical entertainer" Alan Watts (1915–1973) was recognised for popularising Buddhism and Eastern thoughts in the West.

In the following segment from his seminar "The Joker", Alan Watts articulates that the concept of the Joker in a story about a man who is labeled a "fool" by society. He is an outcast who is not taken seriously. However, the Joker uses his wit and humour to point out the absurdity of life and the human condition. He teaches people to not take life so seriously. In the end, the Joker's method is compared to those of the fakir, monk, yogi or guru for awakening one's consciousness.

"The joker is the card beyond role. The card that’s wild, that can be any card in the pack. It’s delivered from being a particular someone and can be an anyone. And it pops up here, and it pops up there, and it pops up here. You never know when the joker will appear.

"When the joker sees a person taking his life seriously and regarding himself as extremely important, there is something a little bit funny about it and he is inclined to get the giggles."

The Fool, The Joker and The Monk

"In some ways, the fool (or the joker) and the monk have a parallel function. The monk is a person who abandons society, he is an outlaw, only he is on the upper side rather than on the lower side. As the ordinary criminal is below caste the outlaw in the sense of the monk is an abovecast. In the time of Buddha his followers wore orange robes because those were the garments of criminals. They wore the garbs of the lower outcasts but were respected as upper outcasts. In modern society it's very difficult to be in this position."

"The worst kind of criticism is the one who pokes fun... The joker doesn't outrightly deride things, he is not a slapstick comedian, he gives people the giggles about things they thought were terribly sacred and that is extremely demoralizing."

The jester in Chase's painting, fortifying himself or "keying up" with a drink before his comic antics.

"The Fool's standpoint is that all social institutions are games. He sees the whole world as game playing. That's why, when people take their games seriously and take on stern and pious expressions the Fool gets the giggles because he knows that it is all a game. Not a 'mere game' or mere entertainment, but it is not frivolous.

Read the full transcript here

The World of Jokers

In many cases the jokers are removed and binned by the players. Amateur poker schools will often open a new deck, throw the jokers in the bin, and then play with the deck. However, some are undoubtedly removed by joker collectors who later on may well sell the jokers separately.

Some images link to page showing complete pack.


Argentina



Uruguay


U.S.A.


Spain


Italy



Belgium


Hong Kong


John Waddington Ltd, Leeds & London, (c.1922-1995)

John Waddington

Above: Originally a general printer, John Waddington first produced playing cards in 1922. The lcross-legged joker was used until the late 1930s. In 1941 they took over the printing of De la Rue's playing cards when the latter's factory was bombed.

De la Rue, London, (1832-1969)

De la Rue Jokers

'Rufford' was a trademark for cards manufactured for Boots the Chemist, c.1930-55.


Special Joker and Ace of Spades, c.1912

Above: Early non-standard Joker and Ace of Spades by The London Playing Card Co. (alias Goodall) for Sanderson Bros & Newbould Ltd, c.1912.

Special Joker for Ye Ancient Order of Froth Blowers, c.1924

Above: Special Joker and reverse design issued on behalf of 'Ye Ancient Order of Froth Blowers', De la Rue c.1924. The back design has the signature 'G.L.S. 1924'.

Special Joker for Duckham's motor oil, c.1925

Above: Special Joker and reverse design for Duckham's motor oil, manufactured by De la Rue for Goodall, c.1925. The De la Rue standard Joker has been adapted for the purpose.

Special Joker for The Manchester Evening News, c.1927

Above: Special Joker and reverse design for The Manchester Evening News, by De la Rue, c.1927. The cartoon is signed 'A. Paxton Chadwick 27'

Special Joker for Knight's Royal Primrose soap, c.1926

Above: Special Joker, Ace of Spades and reverse design for John Knight's Royal Primrose soap, by De la Rue, c.1926. The caption on the Joker reads 'You should see me on Sunday!'

During the 1940s and 1950s, Waddington's were printing De la Rue and Goodall cards as well as their own. Each pack was manufactured with the ace of spades of each maker on the sheet, but with the same courts and jokers, so that packs could be made up for each firm and sold under their respective brand names (e.g. 'Crown', 'Viceroy' or 'No.1').

Special Joker for 3M Company.

Above: Special Joker and reverse design for The 3M Company.

Mardon, Son & Hall, Bristol, (c1930-35)

Mardon, Son and Hall

Above: A division of Imperial Tobacco, they appear to have made cards almost exclusively for the cigarette token market, which flourished during the 1930s. Some advertising packs can also be found, e.g. Players Navy Cut cigarettes. A reciprocal arrangement may have existed with Waddingtons regarding playing card production during the early 1930s.

Berkshire Printing Company, (1930s)

Berkshire Printing Co.

A little-known manufacturer who produced some standard and advertising packs during the 1930s, and may have been involved in the cigarette token market with Waddingtons during the early 1930s.

Porterprint, Jarvis Porter, (c1935-70)

Anderson's/Porterprint/Jarvis Porter Jarvis Porter Special Joker, c.1960

Best known for their crossword game Kan-U-Go, Porterprint also produced packs for Anderson's of Edinburgh during the 1930's (left-hand joker), as well as standard advertising packs for breweries and other firms. The special joker (right) is for Brickwoods, The Portsmouth Brewery, c.1960. From c1950-60 Porterprint also published Ba-Ka-Ree, a card game with extra jokers and extra special aces in the pack.

Simon Wintle, (1987)

Jokers by Simon Wintle

Above: Jokers from the replica of 17th century English playing cards, printed from woodblocks and hand coloured using stencils, designed and produced by Simon Wintle in 1987. Of course these "jokers" are anachronistic since jokers did not exist in 17th century packs.

Woodpecker Press Ltd., (c1988-89)

Woodpecker Press

Apparantly successors to Astra Games (see above), this firm had a relatively short life and produced standard and advertising packs.

Games & Print Services, Essex, (1997-2001)

Games and Print Services

Games & Print Services produce all types of playing card, as well as game and other cards.

Richard Edward Ltd, London, (1997-2001)

Richard Edward Ltd

Based in London, this firm produces standard and advertising playing cards, as well as a range of other printed products. The earlier Joker has been superceded by the right-hand design, which is based upon Goodall's joker and has been re-coloured. The firm is currently re-designing its court cards, including new versions of the Goodall joker.

Catherine Kelly, Dublin, (1999)

Catherine Kelly's Joker

Above: Catherine Kelly created this Joker as part of a special design project entitled Safe as Houses".

Picart le Doux Joker c.1957

 

 

Woodpecker Press - see below

 

 

Catherine Kelly's Joker - see below

 

 

The Joker

 

 

Toker-Joker

 

 

2000Pips Joker

 

 

Chile Chuckles

 

 

Self-Nurture Joker

 

 

Universal Playing Card Co. Joker, 1930s

 

 

Special Joker for L.G.Sloan Ltd, London, 1930s

FURTHER REFERENCES

Matt Probert: Chinese Jokers

Phil Neill: The-History-of-the-Joker-Card

Phil Neill: Keying Up - The Court Jester by William Merritt Chase

avatar
1,475 Articles

By Simon Wintle

Member since February 01, 1996

Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.

Related Articles

1990 The Glasgow Pack

The Glasgow Pack

Issued to celebrate Glasgow’s reign as European City of Culture in 1990, with city views and works o...

2018 Cathedrals, Abbeys & Minsters playing cards

Cathedrals, Abbeys & Minsters playing cards

54 pictures of different famous cathedrals, abbeys and minsters in England and Wales.

2018 Christmas Carols

Christmas Carols

Christmas Carols playing cards illustrated by Stuart Dilks

2004 Red Hat Society playing cards

Red Hat Society playing cards

Society that encourages women in their quest to get the most out of life.

1798 Pam is the Knave of Clubs

Pam is the Knave of Clubs

Playing cards as metaphors in 18th century art - from fate, chance and social hierarchy t...

1920 Question and Answer Games

Question and Answer Games

A card game called “Impertinent Questions and Pertinent Answers” was launched in the early 1920s by ...

1711 Dr Sacheverell

Dr Sacheverell

Dr. Henry Sacheverell's impeachment in 1710 sparked widespread public unrest and political upheaval,...

1990 Leadmill playing cards

Leadmill playing cards

Promotional pack for an arts centre in Sheffield with designs by Martin F. Bedford.

1975 Mountain Dream Tarot

Mountain Dream Tarot

Groundbreaking Tarot created by Bea Nettles, using photographs and photo montage.

2024 Agatha Christie and card games

Agatha Christie and card games

Agatha Christie uses card-play as a primary focus of a story, and as a way of creating plots and mot...

2024 English Heritage

English Heritage

52 different colour photos of historic sites managed by English Heritage.

2021 Junior Playing Cards

Junior Playing Cards

Child-friendly versions of standard English pattern cards designed by Louie Mantia, Jr.

2021 Last Call Cats playing cards

Last Call Cats playing cards

Bar-crawling cats, designed by artists Arna Miller and Ravi Zupa.

2022 The Malt Whiskies of Scotland

The Malt Whiskies of Scotland

Three packs featuring photographs by Duncan McEwan of malt whisky distilleries in Scotland.

2010 Typographic Playing Cards

Typographic Playing Cards

Typographic Playing Cards designed by Jim Sutherland, c.2010.

1812 76: Transitions: Hunt & Sons

76: Transitions: Hunt & Sons

Styles change and technology develops. This means that it's possible to see transition periods in th...