Neapolitan pattern by Luigi Pignalosa, Naples
Two versions of the Neapolitan pattern from the British Museum by Luigi Pignalosa, Naples, 1875 & 1882.
The brightly-coloured Neapolitan pattern (“Carte Napoletane”) has a rustic and traditional design with Latin (or Italo-Spanish) suit symbols. It has single-ended court cards, standing on different coloured platforms allocated to suits: yellow for coins, red for cups, blue for swords and green for clubs. The ace of coins has a double-headed eagle (uncrowned) which usually carries the maker’s name and address and the tax stamp(s). The four of coins shows the arms of Savoy. The backs of the cards are folded over the edges of the fronts forming a border. This gives the cards a sturdy feel.
Luigi Pignalosa, whose name appears on the ace of coins along with a duty stamp and his address at Strada Cerriglio A Mercanti No. 7, Naples, commenced his business in c.1870. At some point his son Raffaele took control of the business during the early years of the 20th century. In the 1940s Raffaele’s son Edoardo succeeded as the new manager until his death in 1979 which marked the end of the Pignalosa firm.
The cards are usually smaller and narrower than other standard cards, making them easier to handle. Each suit has ten cards, ace (1), numbers 2-7 with a jack, knight and king. There is no queen in the Neapolitan deck. The swords and clubs mostly do not intersect, as in Spanish-suited decks. The jack of swords holds his sword pointing downwards and a branch in his right hand. The three of clubs has a mask where the three clubs intersect. Other cards have decorative motifs which reflect local folk art traditions.
References
By Simon Wintle
Member since February 01, 1996
Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.
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