Mitelli Tarocchini
The title refers to “a new form of Tarocchini”. Mitelli's designs are to a high standard of artistic quality and a complete departure from the old tradition, especially the 22 Trump cards which are unnamed and unnumbered.

Mitelli’s “Tarocchini di Bologna” (1664)
Mitelli’s designs are to a high standard of artistic quality and a departure from the old tradition, especially the 22 Trumps. The title refers to “a new form of Tarocchini” so maybe Mitelli wanted to express his own interpretation of the Trump cards. There are four court cards, plus aces and numerals six to ten in each suit making a total of 62 cards, a number suited to the game the deck was intended for. The coins have little portraits inside them. The Ace of Cups has the arms of the Bentivoglio family for whom the cards were made. The Ace of Coins has a portrait medallion with the artist’s name.

Above: Tarocchini di Bologna by Gioseppe Maria Mitelli, hand-coloured etchings, 1664. Facsimile edition by Graffica Gutenberg, 1978. Cards from the collection of Rod Starling.
Original Tarocchini cards by Gioseppe Maria Mitelli - from the Bibliothèque nationale de France

Above: original cards by Gioseppe Maria Mitelli. Source gallica.bnf.fr / Bibliothèque nationale de France: Gioco di carte, con nuova forma di tarrochini, intaglio in Roma►
Facsimile by Edizioni del Solleone, 1977

Above: the cards were also published as uncoloured prints in book form with the title “Giuoco di carte, con nuova forma di Tarocchini, intaglio in Roma di Guiseppe Maria Mitelli...”. The Ace of Coins has a portrait medallion with the artist’s name. Mitelli’s fanciful designs are a break from the earlier hand-painted tarocchi cards produced in Italy, but there are several instances where the decorative designs on the numeral cards and some of the Trumps remind us of other, earlier, packs of tarocchi or ordinary playing cards. The Trumps are unnamed and unnumbered. However, the four 'Popes' are numbered by hand: 1: 2: 3: 4: as part of the reproduction, so were presumably handwritten on the originals. Adam West-Watson wrote: "One can only assume the numbers were put on so as to determine who won the hand when two Popes were played to the same trick. And I guess, in true archivist style, Vito left the numbers on to make a very genuine facsimile of what must be an extraordinarily rare deck." Cards from the facsimile edition published by Vito Arienti, Edizioni del Solleone, in 1977.
REFERENCES
Hargrave, Catherine Perry: A History of Playing Cards and a Bibliography of Cards and Gaming, Dover Publications, New York, 1966
Mann, Sylvia: All Cards on the Table, Jonas Verlag/Deutsches Spielkarten-Museum, Leinfelden-Echterdingen, 1990

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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