Transformation Cards for Christmas
Hand-drawn Transformation cards, c.1870.

Transformed playing cards hand-drawn with pen and brown ink, with feint colour tints, on a pack by Goodall & Son, c.1870, with a Christmas-themed back design. The ace of spades has the erect feather on the imp’s hat.
The following notes are from the current owner: “I believe these cards belonged to my great uncle’s grandmother. Although she was born here in Australia in 1858, her father was born in St. Marylebone, London on April 14th, 1831 and his name was Edwin Octavius Knight. He was the brother of Sir Henry Edmund Knight born 25th March 1833 Lord Mayor of London in 1882-1883. My thoughts are that these cards, based on their date may have been sent to Australia as a gift from the “Knight family” the English relations (maybe as a Christmas gift)”.
On the other hand, some of the placards on the nine of diamonds , such as “Mr. J. S. Butters” (1833-1912), “Free Selection”, “Vote for Higinbotham” and the “War in Europe” probably refer to Australian news issues of the day. The “Theatre Royal”, although not an uncommon name for a theatre, also fits with the Australian theme.
When you zoom the scans you see more detail, even more than when you look at the actual cards.




Above: the deck contains only 40 numeral cards, the court cards are missing. The cards are in what appears to be a pigskin wallet, a bit tattered, but it appears to have been made especially for cards. Images and notes courtesy Pauline Tait.

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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