Mythological and Allegorical tarot
Mythological and Allegorical tarot produced by Peter Paul Fetscher junior, Munich.
This early 19th century double-ended tarot pack produced by Peter Paul Fetscher junior has intricate and detailed designs of mythological and emblematical subjects at each end of the trump cards, surrounded by decorative borders. These amount to about 40 miniature illustrations of various myths, legends or imaginary scenes. The unnumbered fool card shows a musician. On trump card II are tablets with "Peter Paul Fetscher junior Kurfurst Privil: Karten-Fabricant, München in der Sendlinger Gasse Nro. 39".
Tarots with French suit signs (hearts, diamonds, clubs and spades), usually called “Tarok” or “Tarock”, appeared around 1750. While animal tarots were popular, several other varieties evolved over time including natural history, oriental scenes, naval or miltary tarots, Æsop’s Fables tarot, Bourgeois tarot, costume tarots and so on.




The court cards
The 16 court cards are also double-ended, but carry no inscriptions or heraldic motifs. Each card has the same decorative border.


Above: Mythological and Allegorical tarock pack produced by Peter Paul Fetscher junior Kurfurst Privil: Karten-Fabricant, München in der Sendlinger Gasse Nro. 39, Munich, Bavaria. Hand-coloured etching, edges gilt, backs printed with a small blue pattern, in pasteboard case, early 19th century. © The Trustees of the British Museum • Museum number 1896,0501.172►
References
O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, (German 136), Trustees of the British Museum, London, 1901 [digital version here]

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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