Later Bavarian Pattern
Later Bavarian single-ended pattern by Vereinigte Altenburg-Stralsunder Spielkarten-Fabriken A-G., c.1937

Bavarian single-ended pattern
This pattern is known with single-ended and double-ended court cards. Although the costumes have been given a florid makeover, several of the court cards brandish military weapons and have poses which can be traced back to cards of the 16th century, and are also related to the Bohemian, Salzburg and Franconian patterns. The coat-of-arms of Bavaria can bee seen on several cards. The Ace of Hearts has a blindfold cupid and also displays the duty tax stamp. Small vignettes appear beneath the pip cards showing a series of country scenes or other local imagery. These old German-suited cards are gradually being taken over by standard English cards and may eventually become obsolete.

Above: Bavarian single-ended pattern manufactured by Vereinigte Altenburg-Stralsunder Spielkarten-Fabriken A-G., c.1937. German suit symbols, 36 cards, the coat-of-arms of Bavaria can bee seen on several cards. This is a promotional edition and the reverse has advertising for a men's shoe factory: “Lingel - Die Fabrik fur Herrenschuhe”. It was normally sold as “Bayerisches Einfachbild Nr.15a” with standard tarotée backs. The tax stamp on the Ace of Hearts was used from 1936 to 1939.
The rest of the pack can be seen here: 2, 3, 4
Bavarian double-ended pattern
In the double-ended version, notwithstanding the added convenience, some charming features of the old designs are lost.


Above: Double-ended Bavarian Schafkopf Tarock No.0671 by F. X. Schmid, c.1970. The vignettes on the numeral cards have been dropped.

Above: detail from uncut sheet of Bavarian double-ended pattern manufactured by KZWP-Trefl for InnoCard International GmBH, 2003.

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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