Kay Snap
Kay Snap Children's Card Game, made in England, 1930s.

Kay Snap Card Game, 1930s
Kay ‘Snap’ Children's Card Game, made in England, 1930s. Nine sets of four identical cards showing common trades of the era, all male and wearing their traditional garb, including the Coalman, the Butcher, the Milkman, the Draper and the Policeman. No female workers are depicted and the tradesmen are all titled as “Mr”. With the exception of Mr Black, all the tradesmen have red noses.
Right: the box from Kay Snap, showing two of the tradesmen from the game →
Following the difficult times of the Great Depression, it is curious that none of the new industries which employed women during the 1930s are depicted in this game for young children. However, the issue was still contentious, and the popular opinion may have prevailed that married women who brought a second wage into the household were denying others of their fair share.


Above: nine cards and the reverse from Kay Snap card game, total number of cards = 36; made in England, 1930s. The titles, inscriptions and rules are set in Gill Sans typeface which first appeared in around 1928-29.
Right: the Rules leaflet from Kay Snap card game, made in England, 1930s. It can be seen that the rules are very simple and the object of the game is to win all the cards. The game of Snap is often a child's first introduction to playing cards.
See also: Black Peter British Towns Cromy Dartex Happy Families El Negrito Pedro El Reloj Card Game Famous Five Golden Egg Game Hijitus Illustrated Proverbs Jack-of-all-Trades Jaques' Games Noddy Happy Families Pekka-Peli Peruvian Animals Quartet Reshuffle Vic Joc de Cartes Walt Disney Zoo Comics


By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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