Catalan pattern by B.P Grimaud

Published December 01, 2024 Updated December 01, 2024

Standard Spanish Catalan pattern deck made in Paris by B.P Grimaud.

1860 France Latin America Grimaud Catalan Pattern

This perfectly standard Spanish Catalan pattern deck was made in Paris by B.P Grimaud in the 19th century. The four of cups has a trademark parrot in a hoop with the manufacturer’s name in cursive script, but no other inscriptions. Grimaud produced Spanish-suited playing cards that were exported to various South American countries, including Argentina, Uruguay, and Bolivia where the Catalan pattern was accepted. The flags on the ace of coins are nondescript.

Interestingly, a similar “El Periquito” motif was used by Barcelona cardmaker Sebastián Comas for various differently styled packs for export to South America since the late 1800s, where the vibrant imagery helped to blend Spanish traditions with local culture and build a connection. The motif was also formerly used by Cristobal Massó i Artigas, so perhaps it wasn't registered.

Catalan pattern manufactured by B.P Grimaud, Paris, c.1860. Source gallica.bnf.fr / BnF Catalan pattern manufactured by B.P Grimaud, Paris, c.1860. Source gallica.bnf.fr / BnF Catalan pattern manufactured by B.P Grimaud, Paris, c.1860. Source gallica.bnf.fr / BnF

Above: Catalan pattern manufactured by B.P Grimaud, Paris, c.1860. 40 cards. Bibliothèque nationale de France • Jeu d’aluette

The Bibliothèque nationale lists this pack as Jeu d’aluette (game of Aluette), which is popular in the western coast of France, the Catalan region of Roussillon, and other areas, and traditionally uses a 48-card Spanish deck based on the Catalan pattern. However, this pack only has 40 cards and doesn’t have any of the idiosyncratic symbols usually found on Aluette packs.

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By Simon Wintle

Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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