Gnav

Published August 27, 2013 Updated July 25, 2022

cards from an early 'Gnav' game made by C.L.Keiblinger, Copenhagen c.1860

1860 Denmark Scandinavia & Nordic Countries Keiblinger Card Games Cuccu Gnav

Gnav cards were used in Denmark and Norway. It is not known exactly when the game first appeared. The earliest known Gnav-pack printed in Denmark is by Jacob Holmblad (1820-1837). Others are known by C. Steen and C. L. Keiblinger. Originally Gnav is believed to have been a gambling game but during the 19th century it changed into a children’s game played at Christmas. The game did not maintain popular appeal in Denmark after the 1920s.

Keiblinger Gnav

Gnav game made by C.L.Keiblinger, Copenhagen c.1860

Above: hand-coloured cards from an early 'Gnav' game with reversible figures, made by C.L.Keiblinger, Copenhagen c.1860. Image courtesy Hans J. Hinrup.

A Gnav deck consists of two of each of the following cards: the Cuckoo, the Horseman, the Cat, the Horse, the House, figure cards from 1-10 (or 1-12), the Garland (or zero), the Flowerpot, the Owl and the Fool. The Cuckoo is the highest card and the Owl the lowest.

Kort Gnavspil, C. Steen, c.1825-40

The box states "med nye figurer" (with new pictures/figures). Instead of the usual house card, where the manufacturer often shows their factory, Steen has used a well-known castle north of Copenhagen, the "Eremitage-slottet", a royal hunting castle. See the Box

Gnav game published by C. Steen c.1825-40

Above: very nice hand-coloured 'Gnav' game published by C. Steen, a prominent publisher and bookseller, whose address is given as 'on the corner of Pilestraede and Svaertegade', c.1825-40. Image courtesy Stephen Bohrer, extra research by Hans Jørgen Hinrup and Per Kristian Guntvedt.

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By Simon Wintle

Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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