Jacob Holmblad c.1830

Published May 23, 2013 Updated March 08, 2022

An amazing difference can be seen between the early and the later Jacob Holmblad packs, covering a time span of only 17 years.

Denmark Scandinavia & Nordic Countries Holmblad

An amazing difference can be seen between the early and the later Jacob Holmblad packs, covering a time span of only 17 years. The earlier production was by stencil-coloured woodcut prints, but in around 1830 he adopted the newer techniques of lithography. Over the years Jacob Holmblad developed considerable workmanship and his playing cards became a success: already in 1823 he was advertising playing cards in ‘extra fine’ and ‘fine’ qualities. His advertisements also included Animal Tarots →

Fine quality cards by Jacob Holmblad, grand-father of Danish playing cards, Copenhagen, c.1830

Above: double-ended playing cards by Jacob Holmblad, later period, c.1830. The red over-stamp on the A♥ refers to Jacob Holmblad's royal licence to print playing-cards which had been granted in 1820. The Danish playing-card tax stamp has three lions and a crown. The J♣ has the manufacturer's name.

After Jacob Holmblad's death in 1837, playing-card production was continued by his son Lauritz Peter Holmblad (1815-1890)   see more →


REFERENCES

Hinrup, Hans J.: The Holmblad Playing Card Patterns, in "The Playing-Card" vol.33 no.4, IPCS London, Apr-June 2005.

Jensen, K. Frank: French suited tarot packs in Denmark and the Jacob Holmblad Animal tarot, in "The Playing-Card" vol.36 no.3, IPCS London, Apr-June 2008.   [download here].

All images courtesy K. Frank Jensen.

See earlier Jacob Holmblad decks →

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By Simon Wintle

Member since February 01, 1996

Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.

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