Cartas Portuguezas
Portuguese pattern playing cards published in Rio de Janeiro, Brazil, late 19th century.
The Portuguese introduced their cards to Brazil but the use of the old Portuguese pattern died out towards the end of the 19th century. This is a late example of the Portuguese pattern. After this Belgian and German exports took over the market. Court cards are king, knight and maid. The maid of clubs no longer has a small dog at her feet but the maid of coins still holds a coffer or jewel case. The coin suit-marks have the form of rosettes, and the swords and clubs are arranged as trophies with shields. A cross-legged manikin sits behind the two of clubs. On the aces the suit-mark is held by a dragon.


Above: Portuguese pattern playing cards produced by woodblock and stencil in (or in Lisbon for) Rio de Janeiro, Brazil, late 19th century. 48 cards, in original wrapper lettered “Cartas Portuguezas, Da R. F. do R_o de Janr_o”. The 6 of cups bears a cipher, "R.F" but the banners on the fours of coins and cups are empty. The monogram on the six of cups is made to resemble that of the Real Fábrica de Lisboa, but it is possible that this example was actually manufactured anonymously in Belgium. Backs printed in blue with a pattern of stars. © The Trustees of the British Museum • Cartas Portuguezas►
References
O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, Trustees of the British Museum, London, 1901 (Portuguese 1) [digital version here]
See also Bibliothèque nationale de France: Cartes de tête d'un jeu au portrait portugais►

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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