Animal Tarot by G. Larmoyer
Flemish Animal Tarot deck by G. Larmoyer, Liège, 1753.
This charming 78-card Animal Tarot deck with French suits (instead of Italian suits) was produced by G. Larmoyer, Liège, Belgium in 1753. Tarot-playing countries outside Italy, including Germany and the Low Countries, tended to use packs with French suit signs and a different style of trumps from around this time. The trump cards are single-ended, have roman numerals and depict natural history subjects instead of the classical allegories - except the first and last, the juggler (no.1), and the fool (unnumbered). Over time, during the late 18th and 19th centuries, tarot (or tarock) packs started being made with fashionable musical, mythological or military themes on the trumps and did not always have a divinatory purpose. See the case►
The numeral cards run from ace - 10, plus four single-figure court cards per suit: jack, knight, queen & king. The jack of spades has the inscription “G. Larmoyer”; the jack of hearts holds a banner with the initials “G L” and the queen of hearts “A Liege 1753”. The four aces have ornamental frames, but no inscriptions.




Above: Animal Tarot by G. Larmoyer, Liège, 1753. Hand coloured woodcut; backs printed with a pattern of black dots; square corners; size = 115 x 68 mm. © The Trustees of the British Museum • Museum number 1896,0501.759►
References
Mann, Sylvia: Collecting Playing Cards, Arco Publications, 1966
O’Donoghue, Freeman M: Catalogue of the collection of playing cards bequeathed by Lady Charlotte Schreiber, Trustees of the British Museum, London, 1901 (Flemish 9) [digital version here]

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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