Naipes Triunfo, c.1970-80

Published August 04, 2001 Updated May 09, 2023

Naipes TRIUNFO Spanish-suited playing cards by Cappellano, S.A., Florencio Varela 542, Buenos Aires, Argentina, 1970s.

1970 Argentina Cappellano Triunfo Engineering

Spanish-suited playing cards by Cappellano, S.A., Florencio Varela 542, Buenos Aires, Argentina, 1970s

Cappellano's business activities are described as “Industrial, Comercial, Inmobiliaria” on the Four of Cups, and the address is given as Fcio Varela 542, Villa Martellí, Buenos Aires. The telephone number is T.E. 740-8767. The words “Industria Argentina” have disappeared from between the two upper cup symbols on the Four of Cups, and there is no tax stamp as this was discontinued in 1968. Around 1975 the outlines and colour plates were re-drawn and in 48-card decks two Jokers are added which resemble those used by Luis Fourvel around this time in Naipynt decks.

TRIUNFO playing cards c.1970

Naipes Triunfo advertisement for Perkins Diesel Motors, c.1970

Above: 40-card deck of Naipes Triunfo with advertisement for Perkins Diesel Motors on the reverse, c.1970. There is no tax stamp on the four of cups as this was discontinued in 1968, and the words "Industria Argentina" have been omitted.

TRIUNFO playing cards c.1975-80

Naipes Triunfo for F.G.H. Bombas de Agua para Automoviles, c.1975-80

Above: Naipes Triunfo for F.G.H. Bombas de Agua para Automoviles, c.1975-80

Naipes Triunfo with advertisement for Dodge cars, c.1975

Above: 50-card deck of Naipes Triunfo, including 2 jokers, with advertisement for Chrysler Motors Dodge cars on the reverse, c.1975. The Harlequin Joker closely resembles that used by Luis Fourvel around this time in Naipynt decks. Click here to see another example with advertising for Abel González fashion stores, c.1975.

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By Simon Wintle

Member since February 01, 1996

I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.

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