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The Deck of Cards

Published October 24, 2022 Updated October 24, 2022

‘The Deck of Cards ’ by Ben Yates, United Kingdom, 2011.

2011 United Kingdom Ben Yates Photography
‘The Deck of Cards ’ by Ben Yates, United Kingdom, 2011

The Deck of Cards was produced by Ben Yates, a Devon-based artist, in 2011. He describes the pack as “a playable deck where each card is represented by a photograph of objects, architectural details or people all involving the card suits” . The pack contains 52 cards and 4 jokers, and might perhaps be described as semi-transformational. The pips have often been placed to fit into the photograph or are represented by appropriately shaped objects.

Ben Yates describes his work as Photo-Cubism - digital prints mounted on a 3-dimensional structure of blocks of different heights. His mission has become taking photography and melding it with other art forms, innovating in a technical and aesthetic way. His work is bright and intricate, yet simple, vibrant and young - extracted from the artist’s website

‘The Deck of Cards ’ by Ben Yates, United Kingdom, 2011 ‘The Deck of Cards ’ by Ben Yates, United Kingdom, 2011

Above: ‘The Deck of Cards ’ by Ben Yates, United Kingdom, 2011.

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By Peter Burnett

Member since July 27, 2022

I graduated in Russian and East European Studies from Birmingham University in 1969. It was as an undergraduate in Moscow in 1968 that I stumbled upon my first 3 packs of “unusual” playing cards which fired my curiosity and thence my life-long interest. I began researching and collecting cards in the early 1970s, since when I’ve acquired over 3,330 packs of non-standard cards, mainly from North America, UK and Western Europe, and of course from Russia and the former communist countries.

Russian Playing Cards

Following my retirement from the Bodleian Library in Dec. 2007 I took up a new role as Head of Library Development at the International Network for the Availability of Scientific Publications (INASP) to support library development in low-income countries. This work necessitated regular training visits to many sub-Saharan African countries and also further afield, to Vietnam, Nepal and Bangladesh – all of which provided rich opportunities to further expand my playing card collection.

Since 2019 I’ve been working part-time in the Bodleian Library where I’ve been cataloguing the bequest of the late Donald Welsh, founder of the English Playing Card Society.

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