Juan Roura Catalan
Catalan type by Juan Roura, La Hispano-Americana, Barcelona (1872 - 1962).
La Hispano-Americana, Barcelona
Standard Catalan type Spanish-suited playing cards with designs which evolved during the nineteenth century. The legend Naipes Finos de Una Hoja printed on the four of cups refers to the fact that the cards were printed on a single sheet of opaque card (una hoja = one sheet) rather than on two or three-ply pasteboard. In earlier times cards were printed on laminated card to ensure they would not be transparent, but improvements in paper making technology produced better quality cardboard. Juan Roura worked in Barcelona at Calle Nápoles no. 113 until acquired by Heraclio Fournier in 1962.
Above: cards from two examples of Catalan type "Naipes Finos de Una Hoja La Hispano-Americana", manufactured in Barcelona by Juan Roura, c.1930s. This design was used, with slight modifications, over several decades. The four of coins depicts an anchor and a caduceus, whilst the ace of coins also depicts an anchor along with a cornucopia and other emblems suggestive of maritime trade and national prosperity. The red 1.25 Pesetas tax stamp on the five of swords in both examples were used during the period c.1931-36. Roura also exported cards to South America.
Above: cards and wrapper from another example of Catalan type "Naipes Finos de Una Hoja La Hispano-Americana", manufactured in Barcelona by Juan Roura and exported to Cuba in c.1950. There are some slight differences in the design of some cards, for example the Ace of Cups. Some of the court cards have different colouring. For more information about tax bands on Cuban playing cards click here.
See also: Roura Homepage Spain Homepage S. Giraldez, Barcelona Fournier No.55
By Simon Wintle
Spain • Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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