Gallo Intransparente
Gallo Extra Intransparente by Clemente Jacques y Cia S.A., Mexico.
Clemente Jacques y Cia, S.A., Mexico

Gallo Intransparente - registered in 1923 - is Clemente Jacques’ flagship deck of cards. Probably inspired by Fournier's ‘Castilian’ designs of the late nineteenth century, the Mexican version has a more elaborate design and a moderner period style. After an initial period of closer resemblance to the Spanish ‘medieval’ designs, the Mexican version emerged and has remained constant over the years; only the legends on some cards vary. Indeed, the ‘Gallo’ designs have become a sort of standard Mexican pattern, imitated by other Mexican manufacturers such as Pronaco and Productos Leo►

Above: Gallo Extra Intransparente by Clemente Jacques y Cia, S.A., c.1950. The Sotas (Knaves) of Coins and Swords have the manufacturer's name printed down the edge.

Above: Gallo Intransparente by Clemente Jacques y Cia, S.A., c.1950. The Ace of Coins has no legend at the bottom, but the Sotas (Knaves) of Coins and Swords have the manufacturer's name printed down the edge.
Above: Gallo Intransparente by Clemente Jacques y Cia, S.A., c.1965.


Above: earlier edition of Gallo Extra Intransparente by Clemente Jacques y Cia showing some design differences in the clothing on the Sota of Coins and inscriptions on the Four of Coins. The legends on the medallions also change between 'Naipe Opaco' and 'Opaco Extra'.
Right: the design of the wrappers changes over the years, but the cockerel trademark usually appears somewhere. The medallions shown on the wrappers are those mentioned in the text on the Fours of Cups. Since 1990 Naipes 'Gallo' were manufactured by Pasatiempos Gallo S.A. de C.V. and presented in plastic boxes.
García Martín, Enrique: Clemente Jacques, in LA SOTA no.15, Asescoin, Madrid, September 1996

By Simon Wintle
Member since February 01, 1996
I am the founder of The World of Playing Cards (est. 1996), a website dedicated to the history, artistry and cultural significance of playing cards and tarot. Over the years I have researched various areas of the subject, acquired and traded collections and contributed as a committee member of the IPCS and graphics editor of The Playing-Card journal. Having lived in Chile, England, Wales, and now Spain, these experiences have shaped my work and passion for playing cards. Amongst my achievements is producing a limited-edition replica of a 17th-century English pack using woodblocks and stencils—a labour of love. Today, the World of Playing Cards is a global collaborative project, with my son Adam serving as the technical driving force behind its development. His innovative efforts have helped shape the site into the thriving hub it is today. You are warmly invited to become a contributor and share your enthusiasm.
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