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Prussian Pattern

Published August 03, 2011 Updated July 04, 2023

Derived from Jagdkarten or Hunting cards with patriotic overtones and rural scenes as vignettes on the numeral cards, the Prussian pattern emerged in the middle of the nineteenth century.

Germany Bielefelder Schneider & Co Patterns and Suit Types Prussian Pattern

Prussian Pattern, later type

detail from Deuce of Acorns, Prussian Pattern, later type, Bielefelder Spielkarten GmbH, 1970

Derived from Jagdkarten or Hunting cards with patriotic overtones, the Prussian pattern coincided with the emergence of politically ambitious Prussia in the middle of the nineteenth century. The figures are largely drawn from the Prussian bourgeoisie with rural scenes as vignettes on the numeral cards. By around 1865 these previously single-figure packs had settled into a standard double-ended version which has had few variations since and embraces a more general theme in its illustration, the lower court cards portraying a more varied set of characters. At first the pattern showed a more or less constant set of vignettes on the numeral cards (known as "Genrebildchen") but possibly as a result of the increased facilities for travel, it later entered the souvenir market with the second type depicting views, usually of the surrounding area in which the cards were made.

Prussian Pattern, later type, Bielefelder Spielkarten GmbH, 1970 Prussian Pattern, later type, Bielefelder Spielkarten GmbH, 1970

Above: cards from 32-card Prussian pattern deck manufactured by Bielefelder Spielkarten GmbH, 1970. Reverse: black criss-cross.

An edition of the Prussian pattern by B. Dondorf c.1930 can be seen here. The pack is still made and used and has also been made in Silesia and Cracow. The example shown below is from an antique deck made in Altenburg around 1895.

Prussian Pattern, later type, Altenburger Spielkartenfabrik Schneider & Co., c.1895

Above: cards from well-used deck made by "Altenburger Spielkartenfabrik Schneider & Co." in Altenburg about 1895 (because of the additional index numbers on the pip cards). Schneider & Co. was the successor of "Altenburger Spielkartenfabrik AG" which was the successor of Gebrüder Bechstein - hence the "B" in the star. Possibly as a result of the increased facilities for travel, the Prussian II pattern emerged with unchanged court figures but with views of cities and landscapes as vignettes on the numeral cards, often reflecting scenes to be found in the area of the maker. Image courtesy Harold Langen.

See also:   Souvenir Playing CardsGermany HomepageGeistliche Karten, Augsburg, 1718Johann Jobst ForsterJoseph Losch, c.1800Joh. Matheus Backofen, c.1800‘Victory Deck’, c.1815Anti-Napoleon Deck, c.1815Bergmannskarte, c.1816Schiller Deck, C.L. Wüst, c.1830Verkehrte Welt Tarock, c.1850Johann Jegel's Historical Deck, c.1850Narren-Karte by C. H. Reuter, c.1860Dondorf Tarot Microscopique, c.1870Wüst Swiss Album PatienceC.L. Wüst: Brazil Scenic AcesMlle Lenormand Cartomancy CardsHistoric Boston Souvenir Playing CardsNew Zealand Pictorial Playing CardsPanama Canal Souvenir Playing CardsSpanish Republic SouvenirSwiss Scenic Aces Souvenir Playing CardsSwiss Album PatienceSouvenir packs for King Christian of DenmarkVistas del Perú Souvenir Playing Cards

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By Simon Wintle

Member since February 01, 1996

Founder and editor of the World of Playing Cards since 1996. He is a former committee member of the IPCS and was graphics editor of The Playing-Card journal for many years. He has lived at various times in Chile, England and Wales and is currently living in Extremadura, Spain. Simon's first limited edition pack of playing cards was a replica of a seventeenth century traditional English pack, which he produced from woodblocks and stencils.

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