The World of Playing Cards Logo

35: More Design Copies

Published November 17, 2013 Updated March 17, 2022

Here I want to take another widely copied design and see how individual variation by the copier can take the original design through a lot of changes. I shall take the three USPCC designs: US3 (wide), US3.1 (bridge) and US4 (wide). To the best of my knowledge these are no longer used in the US, except perhaps for special productions, as in the retro market.

United Kingdom USA United States Playing Card Co.

On page 34 I introduced the topic of design copies and exemplified it mostly with examples of copies of Goodall's design. On other pages there are further examples of copying in one way or another, though this is not the focus of the page necessarily. Here I want to take another widely copied design and see how individual variation by the copier can take the original design through a lot of changes. I shall take the three USPCC designs: US3 (wide), US3.1 (bridge) and US4 (wide). To the best of my knowledge these are no longer used in the US, except perhaps for special productions, as in the retro market.

Above: An early version of US3 by USPrinting, 1891-84, from a Treasury pack

Above: US3.1, the bridge-size version, redrawn, used with many minor redrawings c.1900-1950

Above: US4, a redrawing with six turned courts, used with many minor redrawings from c.1900-1950

Note that in the two previous designs the QS has her hand sloping upwards in parallel to the edge of her sleeve: this is a particular defiining characteristic of these designs and their copies. These two designs were copied widely within the United States and a turned version of US3.1 was used in bridge cards. As far as I know, this turned version (US3.2) was not used by USPCC itself. Below are a selection of QSs by other American makers from the 1930s, unturned copies on the top row and turned ones, both US3.2 and US4, at the bottom. Notice how the clothing can be redrawn considerably in some cases.

Above: Fairchild, 3 colours; Fairchild, 4 colours; Celluloid PCCo; Criterion
Gibson; Fairchild; Newlong; Brown & Bigelow

US3 was copied in the early 20th century by a number of European card-makers.

Above: Pignalosa; Piatnik; Lattmann; Altenburger

There was also a version, very similar to Piatnik's, by Grimaud. In more recent years, in the late 1950s, Piatnik produced a redrawn version with six turned courts. This was really a transformation of their XUS3, rather than a copy of USPCC's turned version, US4 (note the QS's horizontal arm).

Above: Piatnik, c.1960-present

This design is also found with an F X Schmid AS (but a Piatnik joker) and an anonymous AS, which looks like a Chinese one used in hundreds of their packs, but bearing the legend Made in Germany.

Now this example brings me to cases where identification of a maker becomes very tricky, if not impossible, even with modern packs. Below is yet another example of the Piatnik turned courts in a large-index pack, a souvenir of Seville.

The AS is anonymous, but is the same as the one above, purporting to be German, though on the box of the Spanish pack it gives the origin as 'RPC' (= People's Republic of China). To make matters worse, another Spanish souvenir pack by Varitemas of Barcelona has the same large-index number cards but the courts are a copy of US3.2, as produced in China. Note it says "Made in Spain" on the AS!

When it gets as complicated as this, it's best just to enjoy the cards!

I have another quizzical example involving copies of US3.1. The German firm, Nürnberger, used a copy with no white overlays (which occur in the original) and blue in unusual places. They also produced a three-colour version. But I've recently come across another pack with courts from the same plates (I mean the same, not similar), but with white overlay added. These, however, have a different joker, have an AS for the Astor PCCo and claim to have been made in Japan. This makes life even more complicated, as the joker also appears in packs by an unknown (to me) US maker with different courts, of the design used by Cruver in their all-plastic packs of the late 1930s. I haven't begun to unravel all this yet! Interestingly, though, the firm's name is: Nürnberger-Spielkarten-Verlag (NSV), of which the last element means publisher, so anyone could be printing the cards for them.

Above: top: standard Nürnberger pack; middle: similar pack with different indices and three different jokers; bottom: the Astor pack

Above: three-colour version by Nürnberger?, but the logo is different and I've seen this anonymous AS and joker in packs from Hong Kong


Above: The pack with Cruver courts, purporting to be made in Barbados; these courts appear in US packs, too.

US4 has also been copied widely outside the United States, especially in China. Here is a small selection of the copies. Note the angle of the QS's arm in each case (except for the Swisscards example, in which most of the courts have no hands!).

Above: Héron, c.1960; ASS, c.1985; Tunisia, possibly Carta Mundi; Biermans, c.1960
Carta Mundi; Swisscards; Hong Kong; Chinese redrawing

As a nice example of an extreme redrawing, there is a Japanese version in three colours only with six of the courts turned, putting all the pips on the right.

Above: Lexington, Japan, c.1960

One major copy of US3 is the design chosen by Waddington in 1923 and continued through many redrawings, which took the design further and further away from the original, up until c.1975 (W2-W6). The style of drawing is completely different, but all the details of the clothing are retained. I've chosen the QS to exemplify most of the changes the design went through, including the bridge-width versions. Note that the bridge-sized courts are not a copy of US3.1 (USPCC's bridge courts): the QS's arm, for instance, is not held at an angle. I have repeated the early US3 QS at the top for ease of comparison. Try going through all the other courts.

Above: US3

Above: Top row: 1923-30 (wide); 1925-35 (bridge, reduced); 1935-50
Middle row: 1950-55 (only turned version, in narrow and Konvex); 1935-39; 1927-38 (cheap grade)
Bottom row: 1938-42; 1948-52; 1955-70 (all cheap grade)

Although US3 was much more commonly copied, there are some copies of Waddington's version. Artex of Budapest made a photographic copy, including the AS (though anonymous) and joker, in the late 1950s and 1960s, and Piatnik also made a copy redrawn in their own style with six turned courts.

Above: Piatnik, 1960s

Here the JD has retained his moustache, which he loses in the later Waddington versions.

And a recent acquisition is a very interesting copy of W2 with redesigned clothing from Germany in an anonymous celluloid pack from c.1935. (Note that the cards have all curled with age.)

avatar
137 Articles

By Ken Lodge

Member since May 14, 2012

​I'm Ken Lodge and have been collecting playing cards since I was about eighteen months old (1945). I am also a trained academic, so I can observe and analyze reasonably well. I've applied these analytical techniques over a long period of time to the study of playing cards and have managed to assemble a large amount of information about them, especially those of the standard English pattern. About Ken Lodge →


Leave a Reply

Default Avatar
Your Name
Just now

Create account to comment Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here. Your comment here.


Related Articles

1990 Leadmill playing cards

Leadmill playing cards

Promotional pack for an arts centre in Sheffield with designs by Martin F. Bedford.

1975 Mountain Dream Tarot

Mountain Dream Tarot

Groundbreaking Tarot created by Bea Nettles, using photographs and photo montage.

2024 Agatha Christie and card games

Agatha Christie and card games

Agatha Christie uses card-play as a primary focus of a story, and as a way of creating plots and mot...

2024 English Heritage

English Heritage

52 different colour photos of historic sites managed by English Heritage.

2021 Junior Playing Cards

Junior Playing Cards

Child-friendly versions of standard English pattern cards designed by Louie Mantia, Jr.

2021 Last Call Cats playing cards

Last Call Cats playing cards

Bar-crawling cats, designed by artists Arna Miller and Ravi Zupa.

2022 The Malt Whiskies of Scotland

The Malt Whiskies of Scotland

Three packs featuring photographs by Duncan McEwan of malt whisky distilleries in Scotland.

2010 Typographic Playing Cards

Typographic Playing Cards

Typographic Playing Cards designed by Jim Sutherland, c.2010.

1812 76: Transitions: Hunt & Sons

76: Transitions: Hunt & Sons

Styles change and technology develops. This means that it's possible to see transition periods in th...

1920 Gibson’s History of England

Gibson’s History of England

History without tears for young and old, 1920s.

1953 Simpson (Piccadilly) playing cards

Simpson (Piccadilly) playing cards

Innovative advertising pack for Simpsons of Piccadilly designed by André François.

1998 Scruffy Mutts

Scruffy Mutts

‘Scruffy Mutts’ dog-themed playing cards, United Kingdom, c.1998.

2006 Covered bridges playing cards

Covered bridges playing cards

Historical covered bridges with photography by Bill Miller, 2006.

1981 Motherpeace Round Tarot

Motherpeace Round Tarot

An original and imaginative feminist tarot based on Goddess energy.

1986 Victorian playing cards

Victorian playing cards

54 different card designs including people, animals, flowers, costumes and ornaments popular during ...

1980 Crown Hill playing cards

Crown Hill playing cards

Crown Hill playing cards with illustrations by Corrine Guiney, USA,